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Overview
  • How are reviewers describing this item?
    through, great, ii and fundamental.
  • Our engine has profiled the reviewer patterns and has determined that there is minimal deception involved.
  • Our engine has determined that the review content quality is high and informative.
  • Our engine has detected that Amazon has altered, modified or removed reviews from this listing. We approximate total reviews altered up to 34.
  • Previous analysis of this listing was an C grade.
  • Our engine has discovered that over 90% high quality reviews are present.
  • This product had a total of 40 reviews as of our last analysis date on Jan 10 2020.
Details

BETA

Most positive reviewquestion

Easy to follow and apply providing some great grounding in the fundamental Jazz ii V I structure. Well worth the time working o...  Read More

Least positive reviewquestion

Not enough review data to provide meaningful insight.

Most authentic reviewquestion

An excellent book! This clear and well presented guide really helped me to start playing jazz guitar. The bite sized chunks are...  Read More

Least authentic reviewquestion

Not enough review data to provide meaningful insight.


Helpful Insights

BETA

    Posted by a reviewer on Amazon

    There are no short-cuts and i've been looking for nearly forty years.


    Posted by a reviewer on Amazon

    If you use them in your playing, it will sound boring.


    Posted by a reviewer on Amazon

    And if you playing them starting at the 1 at the start of each chord, and then play the 3rd, 5th and 7th in order every time, then yea, they are boring.


    Posted by a reviewer on Amazon

    All the positive reviews are correct in my view.


    Posted by a reviewer on Amazon

    Given how commonplace this progression is in jazz, it can't be over-emphasised how important it is to know it inside out.


    Posted by a reviewer on Amazon

    Along with introducing chromaticism, combining the arpeggios with bebop scales, the use of b9s for the v, tritone substitutions for the v and extending the arpeggios themselves (3 to 9, 5 to 11, 7 to 13), the book really does take you a long way from the simple root, 3rd, 5th and 7th sequence that you start out with.


    Posted by a reviewer on Amazon

    All the comments here are equally true for the companion volume which covers minor changes just as clearly and understandably.


    Posted by a reviewer on Amazon

    After hearing sheryl bailey (associate jazz professor at berkley) say that jazz is more about arpeggios than scales, all of a sudden things became clearer, yet there was still something missing.

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