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hollywood, two, found, changed and expert.
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Some of the lingering questions i had after reading the first book were resolved after reading the second book
The part that instantly caught my eyes is the author’s argument that “if there is a choice, there must be at least two plot genotypes
” this concise claim seems to explain why vladimir propp and syd field’s belief in plot uniformity is mistaken
From among the four extended analyses of hollywood screenplays, what i found most interesting was that unlike our general conviction the movie pretty woman does not use the cinderella plot genotype, but uses instead the frog prince plot genotype (and the book conveys this point in a convincing way!)